The Hermetic alphabet is based on the reasoned projection of sound. The musical scale is based on reasoned mathematical principles; which in its most basic concept can be perceived by language. Language is reasoned sound which can categorise thought and objectify perception bringing creative dynamics between one and another. Although language can bring opinion; in relation to hermetic’s, it is the understanding of projected function in relation to creative dynamics within the law of nature; it has no opinion.
Within the cycle of perception. The English alphabet has become an easy operating system for understanding hermetic principles, which can be applied to historical literature also.
‘A’ relates to ‘the highest point’ like the peak of a mountain.
‘B’ relates to the ‘heart’ being equal above and below and a joining composite of both.
‘C’ relates to ‘projection’ like the duality of polarity of one projecting to a point.
‘D’ relates to ‘dream’ or half sleep like the closing of the eye into a meditative state or internalised perception.
‘E’ relates to the ‘fork’ or ‘trinity in movement’; but a lower case ‘e’ relates to the soul.
‘F’ relates to projection from the self and mother, which could be described as intuitive movement.
‘G’ relates to a gate
‘H’ relates to a bridge
‘I’ relates to the self
‘J’ relates to ascension
‘K’ relates to polarity
‘L’ relates to a measure
‘M’ relates to mother
‘N’ relates to the other
‘O’ relates to the whole
‘P’ relates to the upper
‘Q’ relates to a projection from the upper
‘R’ relates to oversight
‘S’ relates to movement
‘T’ relates to balance
‘U’ relates to containment, like a jar
‘V’ relates to division
‘W’ relates to the construction of sound
‘X’ relates to an axis
‘Y’ relates to choice
‘Z’ relates to the construction of light ‘material’